Sick of Myself (2022)
Signe feels increasingly invisible as her boyfriend gains notoriety for his contemporary art, crafting sculptures from stolen furniture. Determined to reclaim her spotlight among Oslo's cultural elite, she devises a manipulative scheme designed to draw the attention back to herself. As her actions spiral, Signe's quest for recognition reveals the lengths one might go to in a bid for validation. The story delves into themes of jealousy and identity within the vibrant art scene, showcasing how desperation can lead to outrageous decisions.
